Rudolf Nureyev and Margot Fonteyn, the perfect partnership
"At the end of Swan Lake, when she left the stage
in her great white tutu
I would have followed her to the end of the world."
In 1961, Nureyev was invited to make his London debut at the annual gala organised by Margot Fonteyn for the Royal Academy of Dancing. He asked to dance Spectre de la Rose with her but she was already committed to do this with John Gilpin, and anyway was not sure how well she and "this young Russian" would suit each other. Nureyev therefore danced Black Swan with Hightower and a solo, Poème tragique, made for him by Frederick Ashton.
The gala led the Royal Ballet to invite him to dance Giselle with Fonteyn the next season, also Swan Lake, the Don Quixote pas de deux, Les Sylphides and Sleeping Beauty with guest ballerinas Sonia Arova and Yvette Chauviré. Between whiles, Nureyev also danced with Bruhn, Arova and Hightower in Cannes and Paris, performing pieces created or staged by the two men, and he made his New York debut on television (substituting for the injured Bruhn in Bournonville's Flower Festival at Genzano duet with Tallchief), then on stage with Ruth Page's Chicago Opera Ballet.
Thus was laid the groundwork for his subsequent career: a lasting link with the Royal Ballet, frequent appearances with other companies, the beginning of his activities as producer and choreographer, and perhaps above all his partnership with Fonteyn. Both of them danced with many other partners who almost always looked better in consequence, but they were most proud of what they achieved together. He at 23 gave her at 42 a new burst of energy and understanding; she inspired him and helped him settle down.
Each learned a lot from the other and danced at their very best together. He greatly wanted to dance with her in Leningrad and show what they achieved (unfortunately by the time he was allowed to dance there she had retired and he was far past his best). His explanation of their extraordinary success was "It's not her, it's not me, it's the sameness of the goal".
People were so eager to see them together that their agent charged far more for them as a pair than the sum of their already high individual fees. They remained lifelong close friends too.